Turkish Photographer Spends a 29-Day Shoot in ICU Covid-19 Unit, Wins a Prize For This

Published February 16th, 2021 - 08:58 GMT
Here is the first place where patients came if they have covid symptoms. The moment of Covid 19 testing. For testing, samples are taken from throat and nose by healthcare professionals located in a closed glass place in Turkey. (Instagram)
Here is the first place where patients came if they have covid symptoms. The moment of Covid 19 testing. For testing, samples are taken from throat and nose by healthcare professionals located in a closed glass place in Turkey. (Instagram)
Highlights
Spending 29 days in intensive care unit, F. Dilek Uyar wins first prize for her work titled ‘In Epicenter of COVID-19’

A Turkish photographer was announced the winner of a category of the 2020 International Photography Awards over the weekend. 

Selected as the winner of Discovery of the Year 2020, F. Dilek Uyar became the Emerging Photographer of the Year in the contest of the California-based International Photography Awards with her work titled ‘In Epicenter of COVID-19.’

Noting that the COVID-19 pandemic has been the most important event affecting the world since World War II, Uyar said doubtlessly the biggest difficulty was experienced in hospitals, with all health professionals working day and night.

Saying “I can’t change history, but I can show it,” she decided to spend time at a hospital to shoot. Uyar said she soon became “invisible” to the people there with the time spent observing and shooting.

Instead of shooting with haste, Uyar spent a total of 29 days in the intensive care unit of a hospital for her shootings to reflect the tough times of health care professionals and patients fighting against COVID-19.


Uyar said as a mother of two, it was a difficult decision for her to enter the intensive care unit, or “the heart of the risk” in her words.

She considered the risk for both herself and her family.

“But I knew that I would never forgive myself at the end of this process, which will not be repeated again [...] I should have photographed a subject that I had to photograph, not a subject that would be good if I took photos.”

She said she wanted to show people what was happening in a COVID-19 intensive care unit clearly. She aimed at shooting to show normal moments in intensive care, the arrival of a patient, dressing up and entering the patients' rooms for treatment as well as the moments of treatment and how the doctors and nurses rested and slept.

“In general, we see that the events that focus on the moment in documentary photography are away from aesthetic anxiety. But unlike the general ones, I also wanted to show that aesthetic photographs can be taken in documentary photography, albeit difficult,” she said.

“This has been the surprise of my lifetime. I can’t believe it,” she said on social media.

This article has been adapted from its original source.


© Copyright Andolu Ajansi

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