Movie Review: Bill Murray is the Most Endearing Aspect From “On The Rocks”

Published October 26th, 2020 - 06:58 GMT
“On the Rocks” — on Apple TV+ and set in New York
“On the Rocks” — on Apple TV+ and set in New York
Highlights
“On the Rocks” is Sofia Coppola’s seventh film as writer-director.

Bill Murray is the most endearing aspect from “On the Rocks,” Sofia Coppola’s seventh film as writer-director.

Behind his trademark deadpan expression, Murray still has twinkle and mischief in his eyes.

And he brings out the same kind of lonely wistfulness we saw in his earlier association with Coppola in 2003’s “Lost in Translation,” in which he and Scarlett Johansson meet in a Tokyo hotel and find comfort in each other.

There was no romance there, as there is none in his latest outing as Felix.

Daughter Laura (played by Rashida Jones, who has starred in “I Love You, Man” and “The Social Network”) is troubled thinking that her life is about to go into a tailspin. 

“On the Rocks” — on Apple TV+ and set in New York — is just as sentimental and sweet as “Lost in Translation.” As Coppola’s latest adventure begins, we see Felix, who has made his millions as an art dealer, in the lap of luxury with a chauffeured Mercedes, first-class hotels and sensational magic in his persona.

But having divorced his wife many moons ago, he longs to nurture the relationship with his daughter Laura, who is married to the very successful Dean (Marlon Wayans) with two lovely daughters. 

However, in a kind of mid-marriage crisis, Laura begins to have doubts about Dean’s fidelity, especially after he gets busy with his new professional venture that takes him away on frequent trips.

His “leggy” assistant, Fiona, accompanies him, and Laura confides this to her dad, who weaves stories of all that could be happening between Dean and his assistant. Felix suggests that they follow the possibly philandering husband, and a troubled Laura gets talked into it.

All this leads to hilarious situations with Felix always being in command, even when cops catch him speeding as he is trying to tail Dean’s cab. Wittily calm and composed, he is the sort of guy who will unabashedly say to a passing stranger that she looks ravishing and get away with it, much to his daughter’s consternation.

“On the Rocks” has great moments, and is compelling to a great extent, with Murray engaging us with full-of-life banter. Jones matches up to him, a nervous wife tottering on the edge of what has been a great marriage. She hides her angst with remarkable alacrity, trying to play a good mother to her kids, while her dad leads her up the garden path.

“On the Rocks” is happily no weepy tale, and Coppola spices it up.


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