“White Eye” — a short film from writer-director Tomer Shushan — serves as a masterclass in concise storytelling. After all, the pivotal moment at the heart of Shushan’s semi-autobiographical (and recently Oscar-nominated) short involves little more than a dispute over a stolen bicycle, with no lavish set pieces or special effects required to create an enthralling atmosphere. Furthermore, “White Eye” is shot in a single, continuous take that follows Omer ...