Wadi Hammeh 27, located 2 kilometres north of Pella, represents one of the largest and most complex Natufian base-camps in the southern Levant, an Australian archaeologist has said.
“These are essentially the world's first villages [12,000 BC], funded by hunter-gatherers near the end of the Pleistocene [Ice Age], which predated farming,” said Phillip Edwards from La Trobe University in Melbourne.
Wadi Hammeh 27 was discovered when Edwards’ mentor Tony McNicoll asked Australian geologist Phillip Macumber to investigate the geological basis of the Pella tell (Khirbet Fahl) in the 1980/81 season, Edwards said, adding that Macumber explored the area of Wadi Hammeh and found “a virtual El Dorado” of prehistoric occurrencess from the Middle Palaeolithic, Upper Palaeolithic and Early Epipalaeolithic periods.
"I was first asked by director Tony McNicoll to excavate the Early Epipalaeolithic site of Wadi Hammeh 26 in late 1982, as part of my graduate studies. After finishing this, he suggested I sample the interesting-looking larger site overlying it [Wadi Hammeh 27]. So, in early 1983, I placed a small 2x1m sondage into a point that had many different artefacts eroding from the cliff-edge of the site,” Edwards outlined.
The test pit revealed a trio of large, engraved slabs, wedged diagonally in the trench and after this find, and McNicoll was sure of the site’s importance and supported Edwards to work there in 1980s, he noted.
"Scholars found over 60 art pieces of Natufian art at Wadi Hammeh, making it one of the largest such repertoires of Natufian art."
“Apart from the large slabs, art pieces are mainly small and furnished with geometric designs. They mainly consist of small limestone plaques and pieces, with a small number on bone tools,” he said, adding that finds of natural objects such as fossils and unusual stones in the site indicate that some of the designs may have been prompted by natural patterns.
A zoomorphic sickle terminal is one of a small number of representative images of animals, Edwards said, adding that the tiny head was badly burnt and in danger of dissolving altogether.
“It is often difficult to tell exactly which types of animal are represented in Natufian art, even though the pieces are executed with great skill, but we have a gazelle and a bird, and a few indistinguishable animals,” Edwards said, stressing that the gazelle is the most commonly represented animal in Natufian art, "just as it was usually the animal hunted the most".
This article has been adapted from its original source.
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